Monthly Archives: February 2014

A Great Video I Can’t Use

I was sent this video by a fellow teacher with the suggestion that it might work in my class, and as an adult who mastered simple homophone usage by age ten, and whose father made her rephrase to say, “my brother and I” every time I started a story with “M and me,” and who was fascinated by Sesame Street and the Muppets as a young child, this is very funny.  And, let’s be honest, we’ve all been sent MUCH worse.

However, and I kid you not, I got about 30 seconds into this before I silently told myself that I can’t show this to my students in any way:  I can’t show it in class, I can’t link it to my website, I can’t make it optional by hinting that they should search it.  You are probably thinking that I’m being over-sensitive and irrational, that there is nothing here that is inappropriate to a thirteen-year-old, but if you’ve ever been around a person this age, you will know that they are over-sensitive and irrational [and their parents can be as well].  Let me show you how my middle-school-teacher brain watched this video.

The use of the word “Nazi” in its comical sense here will be the first reason that I get a parent complaint.  Either, a parent will interpret this as insensitive because of their religion, ethnicity, or just because.  Then, there is the repeated use of words like “idiot” referring to those who can’t use English properly.  My next seven parent emails will be about how their sons and daughters cried themselves to sleep because I once took off a point for using “there” improperly, and now they think I showed this video to mock them and point out to everyone else in the class that their child is stupid.  And yes, I said seven emails because lack of self-confidence is pervasive in middle schools.  Finally, if you have ever looked at the closed captions for Youtube, you will know that they are hilariously, even farcically inaccurate.  Either, a student will need the captions to understand it, or a student will turn them on for fun, and *insert email in inbox sound here*.

I am very aware of how ridiculous the above is, but that’s part of the baggage of working with the students I do. They are super sensitive to everything and see everyone as a role model.  They will emulate and remember the oddest things that you hoped they would forget, but teachers at all levels are in a fish bowl, constantly observed.  Would I like for fourteen-year-olds to know the difference between “there” and “their,” YES [while not an overwhelming mistake I see, I do see there/their/they’re errors in student writing much more than I should], but I can’t do it with this video. So, please keep sending me cute Youtube videos, but when you ask if my students enjoyed them, know that I’m lying when I say yes; I didn’t use it.


Simply Superb Sponges

I’m sure you’ve heard the cliché that kids are sponges that soak up everything they see and hear.  You might be especially familiar with this cliché if you have children of your own because you may have had to curb your swearing after your beautiful baby girl-turned toddler yelled “damn it” when she dropped her pudding.  Language acquisition is fascinating with amazing statistics about how your five-year-old can genuinely absorb something like twenty new words every day; that’s over 7,000 words in a single year.  Unsurprisingly, that number declines rapidly as we age, in part because we don’t hear twenty new words each day and in part because we aren’t all Sheldon from The Big Bang Theory with infinite storage in our brains.  I’ve read that at the middle school level, my students can still genuinely learn eight new words each week, but to do that, they need to hear the words, see the words, use the words, and create meaning with the words, as if they were five.  That’s why they pay me the big bucks, and perhaps at a later time, I’ll reveal my secrets for how I accomplish that learning feat.

But language acquisition isn’t really what I wanted to discuss.  I am continually reminded of the sponge metaphor even though my students are young adults because in a way we’re all still sponges.  Who among us hasn’t heard a fantastic joke on TV or in person and retold it to a group of friends?  Who can’t retell a particularly awesome scene of a movie or thrilling play their favorite sports team pulled off?  We see things, and part of our brain changes, maybe ever so slightly, but I think it does change.

And that’s one reason I have museum days in my class, days that I adore and part of the reason teaching middle school is preferable to any other level.  When I assign a project, I don’t want to be the lone audience, but creating an audience of peers can be difficult.  So, the day any project is due, all students display their work in the classroom and the entire period is spent in a scavenger hunt that requires all students to look at their classmates’ work.  Bam, genuine audience of peers.  Knowing that their classmates are going to peruse their work means that I no longer get crayon designs and a single piece of tape holding everything together.  If I taught younger students, I doubt they would care as much if their classmates liked their work; they seem to be teacher-pleasers in the elementary schools.

Reason 2 that I love museum days is that it allows students to absorb in their sponge-like ways their classmates’ creative ideas.  I know that there are parents who “help” too much, but regardless, by seeing what is possible, my students are often motivated to push themselves further on the next project and to emulate the best in the class.  When everyone has the same assignment, but everyone ends up with such different final products, students see that there are many ways to interpret and to accomplish the same goal, and I watch it drive their creativity on subsequent projects.  At a younger level, I’m not sure if the balance of student-parent work would be equal enough to merit spending class time to examine, and even if it were balanced, the students are too young to notice creative differences or to learn from them.

Students do textual analysis for one topic in a Shakespeare play.  Displayed around the room in ABC order for Museum Day.

Students do textual analysis for one topic in a Shakespeare play. Displayed around the room in ABC order for Museum Day.

Reason 3 that I love museum days is that I design the scavenger hunt to act as a review for the unit’s content.  If we are studying Shakespeare, students look at their classmates’ projects to find facts that I will be testing; they have to find the answer and cite which project gave them the answer.  They enjoy looking at their friends’ work, and I know that they are reviewing important content while engaged.  If I taught high school, such a class activity would probably seem juvenile.  What sixteen-year-old wants to find an example of personification in a classmate’s poem? But if I call it a “scavenger hunt,” my thirteen-year-old students are instantly tricked and forget that they are doing work.

And the final reason that I love museum days is it makes grading much easier.  I’m a pretty busy person and projects are usually bulky and impossible to take home to grade.  While my students are on their scavenger hunt, enjoying the creative work they see, I am grading.  If you design a good enough rubric, you can quickly evaluate the level of success each project attains.  In a forty-minute period, I can usually grade between fifteen and twenty projects.  I am not carting home giant posters or scrapbooks or dioramas; I am evaluating during the class period and saving myself hours of work.

Now that I’ve convinced you that museum days are the best for students and teachers, let me share some of the brilliant ideas my students have showcased so you can see why I love teaching eighth grade.  I had a student build a refrigerator out of cardboard, with trays in the doors and everything to display his work.  I had a student engineer a flag to project from the center of his project with string while still allowing for the project to lay flat for transportation.  I’ve seen duct tape used in every possible way you could imagine, to decorate backgrounds, to create 3-D people and objects, to outline, for barbed wire; the uses of duct tape are truly endless.  Students have melted crayons and attached the remaining half crayon as well as used the melted wax as a drizzled decoration.  Projects that collapse often have door handles to open them (and by door handles I mean drink bottles, rope, pine cones, and anything else you could hold and pull).  There are flashing lights with on-off switches and music that plays because the student ripped out the inside of a signing card.  There are pop-ups and pull-outs and even a pack of tissues attached to one project in case it made me cry.

game2

LA Clue: What Happened to Edgar Allan Poe? Students created a “Clue” style board game with a layout of our school. The “players” are various authors including Shakespeare.

It’s important to share with you the trials I’ve faced in my classrooms and my frustrations, but I need you to see the beauty of being thirteen as well.  I need you to see this tender balance between childhood, sponge-like absorbing of knowledge and adult creativity and brilliance.  This must be one of the few times in a person’s life when they can still learn like a child but start learning what adults should know, not yet jaded, still impressionable.  Museum days make me feel like I make a difference.


Expect the Unexpected: Part 2

[This is part 2. If you haven’t read the opening to this post, please scroll down; it might make things make more sense.]

Often, what students tell me can only be descried as random.  These statements will usually come from a girl who bounces up to me with that intense smile on her face, the look of someone who was just asked out by the most popular boy in school and she can’t contain her joy another moment.  I am excited when I see this face, believing that I am part of a positive middle school memory she’ll have forever.  And then she says it.  “My locker keeps jamming.”  I look at the clock, confused, and respond, “But you’re not late.”  “I know,” she chirps, “I just thought you’d be interested.”  I ask if she wants me to call the custodian, to which she happily says no.  And I’m left standing confused, wondering why I was involved in this story at all.  Similarly baffling random statements are usually along the lines of:

“My phone would not stop ringing last night.  It was weird.”

“I really like Starbuck’s.”

“My little brother is learning to tell time, and it’s really cute.”

While these may seem like normal parts of a conversation, it’s not normal when in the middle of learning root words, the topic shifts suddenly as if channel surfing in the old days when you would flip from the six o’clock news to a rerun of Saved by the Bell to an infomercial for detergent within a few seconds.  If I can’t help, and if I wasn’t calling you, and if I too like Starbuck’s, and if I don’t know your little brother, why are you telling me this?  I smile and respond with some generic statement of caring, “That is weird; what did you do?” “Yeah, we need those coffee shops.”  “Aww, I hope you’re helping your brother.”  And then she bounces away, just as happy.

And then I get bizarre pet statements, like, “We got a new cat last night,” or “I got a new tortoise,” or “My dad killed my goldfish.”

1. I have no follow up to a cat story other than, “Aww, what’s its name.”

2. A NEW tortoise?! Don’t they live for something like a hundred years?

3. Should I be calling the goldfish authorities? Do we have a fish murderer on our hands, or does this story have a part two you’d like to share?

Legally, there are some things that if a student tells me I have to report.  Thankfully, my students haven’t had any situation that required my calling for help, but I’ve had my fair share of “Why are you telling me this” moments.  Because my class has a writing component, most of these instances come in written form.  I’m changing names since we are talking about students.  One story was written by Jonas Bern about a young boy named Janos Berny who murders his family, not graphically, but they do die in the story.  I called his family who laughed at their son’s creativity, and they are still all alive and well.  I had a student write about her house burning to the ground and losing everything.  I felt bad even grading that assignment; how do you correct punctuation when the topic is destruction by fire.  Once, a student took two teachers’ names and changed them subtly [let’s say Mr. O’Connor became Mr. O’Collor, for example] and then wrote about what terrible dictators they were in the classroom.  It was of course exaggeration, and even those teachers got a good laugh out of it.

But really, TMI kids.  It’s not as cute as the show Kids Say the Darndest Things, and it’s not dramatic enough to merit calling in the troops for backup, but it’s TMI.  It’s nice to know that students respect me enough to ask or tell me what’s on their mind, but I’m so frequently left with a blank stare on my face trying to find a polite way to say, “Seriously, why are you telling me this?”